MUSIC HISTORY
LISTENING CD #2
|
Title |
Instrumentation/Significance |
Track # |
|
De tous biens |
Instrumental/Use of Viols |
#1 |
|
Helas que pourra devenir |
Flute/Violin and Lute |
#2 |
|
Al amor |
Instrumental work |
#3 |
|
Now is the Month |
English Madrigal with instrumental accomp. |
#4 |
|
Ricercar |
Use of improvisation |
#5 |
|
Canzon per sonar |
Use of imitation and “Call and Response” |
#6 |
|
Bouree |
Instrumental Dance/Bouree form |
#7 |
|
Ein feste Burg |
Music of the Reformation |
#8 |
|
Spem in Alium |
Forty Voiced motet |
#9 |
|
Sing Joyfully- prt.1 Sing Joyfully-prt. 2 |
English Anthem |
#10/11 |
|
Cruda Amarili |
Italian Madrigal/Seconda Practica Style |
#12 |
|
Dunque |
Early opera/Italian |
#13 |
|
Shake the Cloud |
17th. century English Opera |
#14 |
|
Orfeo excerpt |
Early Opera/Monteverdi/Orfeo |
#15 |
|
Armide |
17th century French Opera/Lully |
#16 |
|
Julius Ceasare |
18th. century Baroque Opera |
#17 |
|
Wachet Auf |
18th. century Cantata |
#18 |
|
In Eclesiis |
Music of Venice/St. Mark’s |
#19 |
|
Comfort Ye My People Worthy is the Lamb |
The 18th century Oratorio Recitative Chorus |
#20/21 |
|
Allemande |
Harpsichord suite by Buxtedude |
#22 |
|
Concerto in A |
Uses strings, continuo |
#23 |
|
Concerto Grosso in F |
Uses keyboard, recorded |
#24 |
|
Trio Sonata op.3 |
Uses a combination of instruments |
#25 |